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Making Multi-Channel Firewire Music With Linux
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| I scored a nice deal on a Focusrite Saffire
| Pro 26 Firewire recording interface. My studio
| PC does not have Firewire so I also bought a
| SIIG PCI Firewire 400 card and a 6-pin to 6-
| pin cable. Focusrite is a good supporter of
| the FFADO project, which writes Linux drivers
| for Firewire recording devices. (I do not
| understand Linux users who make themselves
| crazy trying to force an unsupported or
| poorly-supported piece of hardware to work on
| Linux. So they save a couple bucks, it's still
| a losing proposition.)
`----
http://www.linuxtoday.com/infrastructure/2009110700635MMHW
5 New Chrome Extensions Worth Trying â Twitter, Google Tasks, YouTube enhancer & more
http://www.omgubuntu.co.uk/2009/11/5-new-chrome-extensions-worth-trying.html
Recent:
Build A Real Time Audio Studio
,----[ Quote ]
| Linux is a fantastic platform for audio production. Find out how to build the
| perfect production environment.
|
| [...]
|
| ALSA, or the Advanced Linux Sound Architecture, sits within the Linux kernel
| itself as a series of hardware drivers. Audio data is passed from ALSA to the
| user-level applications that manipulate the audio. But despite this low level
| integration and a built-in potential for good low latency performance, most
| default Linux installations make poor audio production computers. Thatâs
| because thereâs still too much going on in the background, and too many
| throwbacks from the time when Linux was designed primarily for server
| installation.
|
| Luckily, Linux is a highly configurable operating system, and this means that
| you can create the perfect audio platform just by making a few tweaks. Weâve
| chosen the latest version of Ubuntu to be our guinea pig.
`----
http://www.pcplus.co.uk/node/3091/
Little Boxes: Audio Production Hardware At Studio Dave
,----[ Quote ]
| Linux sound software has been the foundation of my music studio since the
| late 1990s, but as we all know, that software won't produce so much as a peep
| without the right hardware. Setting up a stable Linux system for audio
| production can be problematic enough, and the wrong decision about your
| hardware can render your otherwise powerful system mute and tuneless. This
| article briefly describes some of the audio production hardware I've acquired
| and employed here at Studio Dave during the last ten years. I hope that my
| readers find this information helpful when making their own decisions about
| their audio hardware purchases.
`----
http://www.linuxjournal.com/content/little-boxes-audio-production-hardware-studio-dave
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